Friends

I completed this commissioned painting prior to Christmas. It's 11" x 14" oil on canvas.

Have a Blue (and Orange) Christmas

It's snowing - so while the kids played in the winter wonderland I spent some time working on a caricature painting of Cam Newton. Still working on the oil painting of Cam. I hope to complete it by kickoff January 10th.

Troy Aikman

7" x 20" Oil

Still working on this original of Dallas Cowboys great Troy Aikman.

Dandy Don

Sad to hear of the passing of Don Meredith. Here is a quick sketch tribute to Dandy Don. Famous for singing "Turn Out the Lights, The Party's Over" when the outcome of the MNF game was clear. He will be missed.

Creating Butkus

I wanted to show everyone my process for painting in photoshop. I learned this technique from (the great) Jason Seiler about two years ago while taking an online class at Schoolism.com. Very expensive but I consider it money well spent - or rather invested. Painting digitally is fast, no smells, no chemicals, no mess, no clean up. Downside - hard to create large scale and there is technically no original, only a file waiting to be printed. Here is how it is going so far with "Butkus."

First the sketch. I did this sketch in 30 to 40 minutes using pencil and a ball point pen. I probably should have spent a little more time. You will see how I had to make some corrections once I got it scanned and loaded into Photoshop. The anatomy of the front arm needed some adjustment and the number on the shoulder was too high and too small. Traditionally you would erase and redraw. Digitally you can simple cut and move - even rotate and re-size. It is also easy to change the composition - which I did.

Create 3 layers. The sketch in on the middle layer. The top layer is a tone of your choosing (Umber in my example) and you dial down the opacity to 50-70% until you can see the sketch and have a good overall mid-tone. The sketch layer itself is set on "Multiply" which allows you to paint on the layer below without interfering with the sketch. Here I block in the dark tones I see in my reference using the same umber color.

Next - I add a layer above all layers and set it to "Soft Light." Then using white only I set out to block in the lighter tones I see in my reference photo. Squinting to increase the contrast of your reference will help you see the lights and darks better (learned that from Seiler too).

First color layer. I made a palette on a layer (just like you would if working with traditional paint) and used it to start laying in color. Concentrating on getting the darks and lights correct. I also begin to play around with the background so it will tie into the colors being used in the figure.

Here is where I am so far. I wish I could go this fast with oils. I typically have a traditional painting or two going while I use the computer to do warm up sketches, caricatures, and develop my photoshop skills. I'll post updates of this painting as it develops